MICHIKO O
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  • home
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Projects

TEIJI ITO

-"Teiji Ito: Music for Film" @Brisbane International Film Festival 2018 (2018) 
 a world premiere live performance of film soundtracks 

-Essay "Teiji Ito: Music for Film"  commissioned by Disclaimer (2020)
by Michiko Ogawa

-Essay "
the cosmic music of Teiji Ito" (2022)
​by Michiko Ogawa

-Short film "The Cosmic Music of Teiji Ito",  commissioned by Kontraklang part of Remaiin project (2021)
​by Manuel Pessoa de Lima and Michiko Ogawa

- Event Archive
https://liquidarchitecture.org.au/events/teiji-ito-music-for-film

​- Interview(post cast)"Cosmic music of Teiji Ito" interviewed by Kontraklang(2021)
kontraklang.de/podcasts/the-cosmic-music-of-teiji-ito/


HARMONIC SPACE ORCHESTRA

The Harmonic Space Orchestra is a Berlin-based experimental research and performance collective with rational intonation at the core of its practice. I have been a member since the group’s founding in 2019, 

Michiko Ogawa/ Manuel Pessoa de Lima ​
​Ogawa/Lima is the duo formed by Michiko Ogawa and Manuel Pessoa de Lima, explore intersections between quotidian and art. Informed by the work of Allan Kaprow - an artist dealing with the blurring of the borders between Art and life  - Theories of the Everyday seeks to revisit some of his scores;  particularly his Time Pieces, where, for example, a couple is asked to measure and record on tape each other's breathing and pulse after climbing a set of stairs. Many of his activities involved cassette tape documentation, however in exhibitions, those tapes were rarely displayed, being favored by images (photographs, written scores, etc). In this project, we'll give more attention to the sonic aspect. Theories of the Everyday is then a performance built upon systematic recordings of quotidian activities, along the manufacturing of a card game containing instructions to be carried on the live act. For Kaprow the idea of play (like in a game) replaces the idea of conventional Art. In this sense, the card game allows for an 'un-artistic' situation, where performers simply play a game, enabling chance operations. The cards are commands where performers transit between various materials, like the recordings made that same day, video fragments, light-change dispositions, and lecture excerpts about the work of Allan Kaprow. 

2025 ©michiko ogawa. all rights reserved.

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